Sunday, February 26, 2012

BOX OFFICE: Act Of Valor #1 With $24.7M Weekend, Good Deeds $16M, Wanderlust And Gone Explosive device

SATURDAY PM/SUNDAY AM, second UPDATE:Properly enough for Academy awards Sunday, it’s another up weekend for that eighth straight week this year.General moviegoingis at $135M, the industry whopping +24% over this past year.Obviously, Hollywood is ecstatic (though not in the prospect at sitting with the interminable Oscars simply to watch Harvey Weinstein gloat). Relativity’s R-ratedAct Of Valor has stayedNo. 1all weekend. It’s the the Bandito Siblings’ individually funded low-budget U.S. Navy fighting pressure taleusing actual Closes from an authentic script by Kurt Johnstad (300). (FYI, there is a novelization of this script, Tom Clancy Presents Act of Valor, compiled by Dick Couch and George Galdorsi and launched in paperback by Clancys writer. Relativity acquired the privileges towards the project last June for $13 million along with a $$ 30 million in prints and advertising commitment -the greatest money taken care of a finished film by having an unknown cast in those days.But Relativity didn’t spend $30M on P&A. That might have been the studio’s minimum legal commitment however it spent much more. Ryan Kavanaugh et al got 4 wildely costly Super Bowl game day advertisements. Yes, 4. That cost between $12M-14M alone (though Relativity claims it had been $6.5+M). Educated guess is they spent $45M-$50M total to hawk this actioner. Yes, they acquired domestic privileges for affordable and strongly pre-offered foreign. And, yes, your budget was just $12K. Appears like Relativity will recoup. Marketing-smart, Relativity released a hostile 400 screening enter in over 40 marketplaces included in amulti-pronged strategy that spoke to players, action fans, sports fans, ethnic audiences, new bands fans, patriots, military, women, and also the belief-based community. It had been about person to person then and today: audiences are submission by providing it an ‘A’ CinemaScore. Also getting an ‘A’ CinemaScore from audiences was Lionsgate’s beneficial romantic dramaGood Deeds. It makes sense middling for that Tyler Perry movie — does he clone them? — that was only playing by 50 percent,132 locations. Butthen individuals films where he doesn’t crossdress as Madea (and offendwith that stereotype) earn less. However it’s right consistent with Lionsgate anticipation and, besides, your budget was just $15M. Like them or otherwise, this really is yet anotherof author, director, producer Perry’ssoap operas specific to his core fans. But is Tyler a fascinating enough thesp tocarry a film virtually by themself or perhaps a large enough draw to feature only himselfon the film poster? Not necessarily.(And I only say this fearing his approaching portrayal of imaginary crimefighter Alex Mix.) Universal’s alleged comedyWanderlustbombed worse than the studio expecte: lousy trackingfor this R-ranked nonsense had indicated the film would open below $10M.Audiences gave it an average’B-’ CinemaScore. The mixture of Jennifer Aniston and Paul Rudd demonstrated toxicto moviegoers. FYI: this greenlight was the studio’s payback to Heroines director David Wain and and the creative partner Ken Marino and mogul/producer Judd Apatow. Regrettably your budget was $30M that is cheap by any standard except whenever a pic flops this badly.Sad, really, because Aniston’s flack-from-hell Stephen Huvanepulled out all of the nauseating stops by taking advantage of her personal existence — as always. Also tanking is Summit’snot-so-thrilling Gone starring Amanda Seyfried which gained merely a ‘C+’ CinemaScore.This is actually the latest consecutively of stinkers for your studio that is now a part of Lionsgate.The only real great news is the fact that, in line with the structure from the cope with producersLakeshore Entertainment and Sidney Kimmel Entertainment andother parties, the studio includes a internet chance of only $two million. Keep in mind that kids around the New England lost of faculty a few days ago so family holdovers Warner Bros’ Journey 2 and Disney’s The Key Existence Of Arrietty held strong — a minimum of until Universal/Illumination’sDr. Suess toon The Lorax opens next weekend. The new sony’s The Vow passed the $100M domestic mark this 3rd weekend out because the first Screen Gems film to ever hit $100M. Here’s the very best Ten (order based on weekend grosses): 1. Act Of Valor (Relativity) NEW [3,039 Theaters] Friday $9, Saturday $9.4, Weekend $24.7M 2. Tyler Perry’s Good Deeds (Lionsgate) NEW [2,132 Theaters] Friday $5.3M, Saturday $6.7M, Weekend: $16M 3. Journey 2 three dimensional (Warner Bros) Week 3 [3,350 Theaters] Friday $3.2M, Saturday$6.4M,Weekend $13.4M,Cume $76.7M 4. Safe House (Universal) Week 3 [3,052 Theaters] Friday $3.1M, Saturday $5.0M, Weekend $11.3M, Cume $98M 5. The Vow (Screen Gems/The new sony) Week 3 [3,038 Theaters] Friday $3.2M, Saturday $4.5M,Weekend $10M, Cume $103M 6. Ghost Driver 2 three dimensional (The new sony) Week 2 [3,174 Theaters] Friday $2.3M, Saturday $4.1M,Weekend $8.8M (-60%),Cume $37.8M 7.What This Means Is War (Fox) Week 2 [3,189 Theaters] Friday $2.7M, Saturday $3.9M,Weekend $8.5M (-51%),Cume $33.5M 8. Wanderlust (Universal)NEW [2,002 Theaters] Friday $2.1M, Saturday $2.9M,Weekend $6.6M 9. Gone (Summit)NEW [2,186 Theaters] Friday $1.6M, Saturday $2.1M,Weekend $5.0M 10. Secret Realm Of Arrietty (Disney)Week 2 [1,522 Theaters] Friday $1M, Saturday $2.1M,Weekend $4.5M (-30%),Cume $14.6M

No comments:

Post a Comment